Italy Mid 18th century

Lombard baroque chest of drawers in walnut, Italy mid 18th century. Top with ebonized molding, front with 4 drawers veneered in walnut briar, bronze handles, uprights at 45 ° with carved pilasters and briar reserves ending in curled feet, large reserve veneered in walnut briar on the sides. Entirely decorated with characteristic ebonized frames. Interior in walnut and poplar.

England Second half of the 19th century

Chinoiserie corner wall units in black and gold lacquered wood, England, second half of the 19th century. Richly painted with elements of the oriental tradition, they refer to the production carried out for the trade of the Company of the Indies. Small breaks and shortcomings.

Mid 19th century

Pair of vase-holder columns, the tapered shaft is in white statuary marble and rests on a French red marble base.

France Late 1800s Early 1900s

Pair of griotte marble and bronze torch holders. A pair of bronze female figures hold gilded bronze cornucopias which act as candle holders and are placed on a bronze and rouge griotte marble base.

Brescia Half XVIII century

Lombard baroque flap in walnut and poplar briar, Brescia mid-18th century. Walnut top, front and sides veneered in cypress wood and poplar burl, folding door concealing a 6-drawer cabinet, 3 drawers plus 1 in the band, uprights with carved curl, ebonized feet in the shape of a vase. Decorated with characteristic briar tiles carved in walnut and ebonized frames. Spruce interior. Replacing the sides of a drawer and restorations.

England First quarter of the 19th century George III

English desk supported by truncated pyramidal legs with brass feet, has three drawers in the band; the top in the center has a Moroccan insert that can be lifted like a lectern and is equipped with a “U” -shaped upstand with drawers. In mahogany, it features a brass-plated railing. The name "Carlton House Desk" takes its name from the London residence of the future George IV, for which Goerge Hepplewhite designed and built this model in the 18th century.

19th Century / 1801-1900

English console resting on a shelf and equipped with two monopod griffins shaped uprights; the rear panel consists of three mirror plates. Entirely veneered in amboina briar, it has a bronze frame and brass covered top edges.

Europe XIX Century

Group of ten glasses in ground glass of different manufactures, shapes and colors. They have rich decorations in gold and polychrome; in the reserves there are refined paintings with female busts, figures and hunting scenes.

Big vase decorated with air bubbles made during the blowing

18th Century / 1701 - 1800

Venetian baroque console supported by wavy legs, the apron on the front and sides is carved with characteristic rocaille motifs. In walnut, the shaped top is in alabaster with a border in black marble and white Botticino.

Padua Second Half XVIII Century

Small marble bust placed on a circular base, depicting an old woman with typical physiognomic features; the shoulders are surrounded by a drapery, while the head is covered by a cap. Sculpture can be compared to the inventions of Antonio Bonazza; in particular the pungent and ironic interpretation, the freshness of the passages, the recurrence of tense but not grotesque somatic features, as well as the adoption of engraved orbits, are characteristics of the production licensed by the artist and his atelier. In particular, interesting comparisons are possible with the famous Fattucchiera (Pollastrella) of Villa Widmann in Bagnoli di Sopra (1742). Present small lacks and abrasions, especially in correspondence of the nose; a re-composition affects the base.

18th Century / 1701 - 1800

Marie Theresa chandelier with 12 lights, dating back to the end of the 18th century. Iron branches, the supporting ones are covered in glass, the bobeches are in cast bronze. The chandelier is adorned with bevelled glass pendants and adorned with different motifs, alternating between them on the different floors. The central column was probably added in the 19th century.

England, 1911

Large silver tray of rectangular shape with rounded corners. Torchon border and finely chiselled handles with leaf and shell decorations. Large engraved background, dedication in the centre. On the reverse, engraved silver marks. Gr. 5250.

Cupboard Writing Desk

Center unit finished on all four sides. Made of oak, it is completely veneered in mahogany feather and decorated with carved mahogany moldings and pilasters. Consisting of two doors superimposed by a drawer under the top with an internal lectern. On the sliding surface there is a riser with a retractable door concealing internal drawers veneered in maple; wooden railing on the raised surface.

18th Century / 1701 - 1800

Pair of Barocchetto Neapolitan sofas, supported by eight curved and carved legs, the under-the-top shaped band is decorated with sun-shaped and rocaille carvings, represented again on the backrest, which is also curved; the armrests are shaped and carved with swirls. Entirely gilded with painted silver leaf, the seating and the raised backrest are padded.

Watch Support

A table clock made of white marble with gilded bronze details. Rectangular basement with two turned columns and a cylindrical clock between them. The white marble is embellished with gilded bronze details, frames, flames and laurel garlands under the box. Pendulum with mask with silver spokes. The glazed metal face has Arabian numbers and it's signed Lèchopiè à Paris. Finely perforated gilded metal hands. Manufactured in France, last quarter of the 18th century.

19th Century / 1801-1900

French Bourbon Restoration chest of drawers, there are three drawers on the front framed by two half pilasters which support the slightly jutting under the top band, in which another drawer is hidden. Mahogany feather banded veneer, it is decorated with gold to mercury bronze applications in the nozzles, with the characteristic anthemium shape, in the bases and the capitals of the half pilasters, where two feminine faces are depicted. The interiors are in sessile oak, the grey fossil marble has been replaced at a later date.

18th Century / 1701 - 1800

Black and green serpentine marble sculpture representing a sitting dog. His face's expression, his neck, his pose and his pows highlight the perfect sculpting skills of the artist. In history of art dog represent happyness. Alredy Plinio said that the dog along with the horse is the most loyal animal and man's companion.