18th Century / 1701 - 1800

Pair of big corner cabinets with rudentate pillars that end with pyramidal truncated feet and with a two-panels door. In the middle of the panels there are medaillons painted with landscapes of buildings and hills in the backbround; the rose windows are hels by pink ribbons and sourmounted by a basket of flowers in the middle. Coeval iron keyholes. Original lacquering.

19th Century / 1801-1900

The supporting structure is made with a central trunk that act as baluster assembled with smaller branches; entirely gilded. Committed marbles top: different stony typologies are used to create a centra vese with flowers on top of which a dove alights. All around there is an edging inside which are represented leafy scrolls and plant patterns; the top's perimeter is defined by a greek fret with alternating triangles.

Etienne Lenoir Henry Dasson attributable to

Table clock with bronze candlesticks. pierced decorations, plant patterns, garlands and festoons. Metal vise with roman numbers for hours and iron hands. Branded Japy Freres medaille d'honneur & C.ie. The candlesticks have 4 flames and are 43 cm high. Not coeval charging key.

19th Century / 1801-1900

Gilded bronze clock with polylobate base decorated with leafy and cyma mouldings patterns. 4 scrolls joined together with a central element embellished with frames and a garland support the clock case finelly chiselled and decorated with leafy pattern. On top of the case there are two flirting doves posed on rocks. The vise with H.ry Dasson signature has roman numbers for hours and arabic numbers for minutes scanned five by five; richly decorated hands. " Henry Dasson 1885" written on the base.

Switzerland First Half of the XIX Century

Neuchateloise clock with shelf in ebonized wood with gilded profiles and feet. Decorations with vegetable motifs in gold. Enamelled metal display with Roman numeral hours and Arabic numeral minutes; in the center of the dial brand of the manufacture.

18th Century / 1701 - 1800

Piedmontese wardrobe supported by shaped feet, as well as the lower band; on the front it has two paneled doors, the sides are also paneled. Entirely lacquered and painted with festoons and bouquets of roses, the lacquering and painting were resumed later.

18th Century / 1701 - 1800

Venetian baroque console supported by wavy legs, the apron on the front and sides is carved with characteristic rocaille motifs. In walnut, the shaped top is in alabaster with a border in black marble and white Botticino.

18th Century / 1701 - 1800

Sideboard with a semi-circular front. Supported by four truncated pyramid shaped uprights with vase-shaped feet, it has a narrow under the top drawer in the middle part, while there are two more thin drawers on the sides, under which there are two larger service drawers, on the corners there are two decorated doors that imitate the front of the drawers. Mahogany with mahogany feather banded veneer in the front, with maple and ebony threading, a carved maple reserve decorates the uprights; the drawers and the doors are enriched with an ebony thread on the edges, as well as the border of the mahogany head of the top; the top is a single mahogany board. The handles are gilded bronze pendants with a central rosette. On the back of the top there are inserts for the fastening of the brass beams that were supposed to hold the lights and other service equipment.

England Second half of the 19th century

Chinoiserie corner wall units in black and gold lacquered wood, England, second half of the 19th century. Richly painted with elements of the oriental tradition, they refer to the production carried out for the trade of the Company of the Indies. Small breaks and shortcomings.

Paris Third Quarter of the 19th Century

Napoleon III two-door sideboard, made by the cabinetmaker Georges-Alphonse-Bonifacio Monbro. Structure in ebony veneered oak, embellished with semi-precious stones and gilded bronzes. White marble top arranged within the edge, front with two doors decorated with reserves with vases of flowers and fruit made of stones in the centre, uprights at forty-five degrees, bracket feet. The bronzes, chiseled and gilded, portray leafy friezes, phytomorphic elements, godrons, rosettes, masks and volutes. The pilasters of the uprights are also made of gilded bronze, decorated with bunches and grape leaves and culminating with a caryatid and a telamon. Interior doors veneered in mahogany. Stamped in several parts on the hull and on the bronzes. Restorations and replacements.

Reggio Emilia, Late XVII Century

Walnut sideboard with front decorated in a band under the top with small architectural shelves, 3 drawers decorated with parallelepiped carvings and 2 doors underneath decorated with geometric carvings typical of the region. On the top there is an owl's beak frame.

19th Century / 1801-1900

Neo-Renaissance style armor from the late 19th century. All surfaces are engraved with phytomorphic motifs. Rounded helmet with ribbed crest; fan with small circular holes for sight. Crewneck schooner present only in the front blade, shaped on five sides. Ribbed chest in the middle with central decoration depicting a three-pointed scapezzato shield with an oblique central band, three flowers in the upper reserve and a fish in the lower one. Shoulder straps with three blades with neck wings, join the bracelets, cubitiere, anti-arm cannon. Knobs with splayed sleeves. A panziera blade in which the two single-blade sides are inserted. Leg loops, three-blade knee pads (of which the central one is ribbed in the middle) and closed leggings. Shoes with four blades, of which the last one elongates in a conical shape curved downwards. Three-pointed scapezzato shield with twisted border, also engraved with phytomorphic motifs and decoration similar to that on the chest. The same decoration is also found on the halberd blade.

England First quarter of the 19th century George III

English desk supported by truncated pyramidal legs with brass feet, has three drawers in the band; the top in the center has a Moroccan insert that can be lifted like a lectern and is equipped with a “U” -shaped upstand with drawers. In mahogany, it features a brass-plated railing. The name "Carlton House Desk" takes its name from the London residence of the future George IV, for which Goerge Hepplewhite designed and built this model in the 18th century.

Europe XIX Century

Group of ten glasses in ground glass of different manufactures, shapes and colors. They have rich decorations in gold and polychrome; in the reserves there are refined paintings with female busts, figures and hunting scenes.

Big vase decorated with air bubbles made during the blowing

Japanned longcase

Tower clock lacquered with gilded chinoiserie and polychrome on a green lacquered background. The trunk stands on a large plinth and has a central door crowned on the top and frame by a rich moulding; iside is painted a landscapee with pagodas in a garden where we can meet huma figures in domestic scenes revived by beautiful volatiles, a rich triage enriches the lateral reserves; the tank containing the machanism also has a central crowned door with glass with a hat going up as a pagoda again decorated with landscapes and flowers, on the sides there are dence plant decorations. The 8 days movement relized by Thomas Phippard hits the hours on a bell; it has a brass quadrant with a silvered brass ring with roman numbers for hours and arabic numbers for minutes; there is also an elaborated brass center carved with leaves that contains the vise whit a small hand for seconds; the blued steel hands hare finely made. The fabrication name an the place onf making are engraved on a silver plate placed above the compartment where ther are the lunar dates. The brass vise is enriched by chiselled bronzes and gilded in the corners, it opens up on the upper part giving space to a cobalt night sky on which is painted a vassel

Italy, Late XIX Century

Pair of portrait frames in bronze and semi-precious stones Enrico Bosi Florence. Enrico Bosi was active between 1850 and 1865 in Florence where he had his studio. He often worked together with other important figures such as Francesco Betti, Bianchini and the Buoninsigni brothers.

Watch Support

A table clock made of white marble with gilded bronze details. Rectangular basement with two turned columns and a cylindrical clock between them. The white marble is embellished with gilded bronze details, frames, flames and laurel garlands under the box. Pendulum with mask with silver spokes. The glazed metal face has Arabian numbers and it's signed Lèchopiè à Paris. Finely perforated gilded metal hands. Manufactured in France, last quarter of the 18th century.

Italy, XVII Century

Baroque statue in carved, lacquered and gilded wood, depicting an angel holding a cornucopia. Several missing items including the wings and the cornucopia.

Italy, last quarter of the 19th century

Umbertine fusilier in walnut carved on the uprights with zoomorphic heads, Italy, last quarter of the 19th century. Decorated with metal studs and leather inserts fixed on the gun holders, uprights connected by 2 crosspieces carved with mask, coat of arms and spirals.